copyright (c) 2007-2024 the thrash metal guide 0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z ETECC (GERMANY)
modern power/thrash which as usual tries to find the balance between the all-out headbangers and the post-thrashy aesthetics of
the black album and its numerous clones. it actually manages to find it also thanks to the really hard-hitting rhythm section and
the cool james hetfield-like vocals the latter a bit more expressive and shouty probably. the stomping side of their approach is
more accentuated on, and the opener "on standard's leash" doesn't get reached in terms of speed later on, but this album remains on
the positive side for most of the time showing that the 90's haven't been forgotten and not only that, but they can also produce
more meaningful results: check out the excellent closing "shifting sands" which is a diverse cut with plenty of nuances bordering on
the progressive with really good leads and a few sudden blitzkrieg passages.
volition full-length, 2012 official site
ETERNA OSCURIDAD (ARGENTINA)
ordinary modern thrash/death metal which crosses melodic with brutal fast sections on a slightly fuzzy guitar base. the shorter
more death metal-based numbers ("eterna oscuridad", the proto-black deathster "levantense en armas") seem to deliver better being
compulsive outbreaks with shreddy aggressive riffage.
babado con la sangre del cordero ep, 2009 my space ETERNAL (COSTA RICA)
this new band, coming from a not very likely for metal place, offer retro thrash metal with long songs which are not technical per
se, but the tempos within them change frequently, the dominant one being up-tempo. the guitar work is quite good straight-forward
with occasionally more stylish decisions, mostly in the lead department, where often do the guys hit the top: they have to somehow
compensate for the awful raspy undeveloped vocals which would sound harsh even on a mayhem (norway) album.
eternal ep, 2007
Official Site ETERNAL (USA)
This is the product of just one musician, the name Ben Garcia, who moshes with near-reckless abandon with these old school thrasherisms, his moshing proclivities mixed with both heavy pounders ("Prey To Grief") and melodic power/thrash hybrids ("From This Day Forward"), Garcia providing fitting if not spectacular but passionate semi-clean vocals. "Alarm Bells" is an admirable rushing headbanger, and "Failure Is Not An Option" features a nice atmospheric balladic etude.
Administer the Pain Full-length, 2022
Official Site ETERNAL AGGRESSION (USA)
"Beyond the Crypt": a 3-track demo of good american speed/thrash metal akin to Anvil Bitch and Destructor; these guys are a tad more aggressive, and
the singer tries some high-pitched wails ala John Cyriis (Agent Steel) at times which work quite well ("Mayhem" actually speeds up
admirably again recalling Agent Steel).
Ritual Insanity Demo, 1987
Facebook ETERNAL ARMAGEDDON (BANGLADESH)
Based on the full-length, these folks serve bashing old school thrash/black not far from mid-period Impaled Nazarene, which
possesses energy to spare also expressed through jumpy neurotic cuts like "Hazam the Black Reaper" and more officiant epic
energizers like "In Light in Dark in Hate". The vocals are hissy and semi-hysterical, a typical delivery for a more orthodox black
metal outfit.
Her Forlorn Monsoon EP, 2011
Official Site ETERNAL AUTUMN (SWEDEN)
Based on "from the eastern forest": this band offer a mix of atmospheric gothenburg-influenced death metal and a little bit of
straight-forward classic thrash. "the ashes of the witch" is, on the other hand, typical pagan black metal. the rest is more
energetic mixing the aforementioned styles in a not very convincing way, and the band's desire to court other genres along the way
(black metal, gothic, etc.) makes things only more confusing reaching its culmination on the 16-min "eternity in vengeance" which is
a mish-mash of too many styles; you'll get lost there. on the following "statues" the guitar sound gets so melodic that you may
want to hear ratt, or motley crue for a change, to liven up. "7,2" is a nice little thrasher which comes at the end, but too late to
save the day.
the storm full-length, 1998 official site ETERNAL BREATH (BELGIUM)
The debut: crisp modern thrash which crushes forward with fast lashing guitars and good clean, mid-ranged vocals. The guys balance
between aggression and melody quite well the cool leads being the stars of the show alongside blistering thrashers like "first
step" and "mass domination". At some stage the melody takes the upper hand and the sound acquires more heroic 90's speed metal
aesthetics ("rich & poor"), but this tendency isn't exactly a pullback as the hard-hitting nature of the music isn't lost: just
check out the closing rager "Time".
The Joker full-length, 2016 official
site ETERNAL DECEPTION (RUSSIA)
this band plays a more aggressive, blacky brand of melo-thrash/death with the staple gothenburg leanings. dissection are an
obvious influence, but the sound quality here isn't as polished, from which suffer the raw death metal vocals above all, and the
hollow drums. otherwise the guitar players know their craft alternating between fast and slow sections the whole time, seldom
blasting out uncontrollably, also coming with something technical ("valley of oblivion") from time to time.
covered by darkness full-length, 2011 ETERNAL DECISION (USA)
the band's debut has a decidedly metallica-influenced sound (resemblances in the vocal style, too), mixed with modern groove,
bringing it closer to the black album, rather than the metallica works of the 80's, and the overall impression is not bad with heavy
riffs and tracks which do not stick to one another, but have their own "face". on the follow-up they recruited another singer to
probably leave the metallica-tag behind and by adding some more modern elements (think pantera, machine head), the final result is
not as satisfying.
eternal decision full-length, 1996 official site ETERNAL DEVASTATION (BRAZIL)
excellent fast-paced death/thrash metal with a classic flavour; although having taken their name from a destruction album, their
sound is more along the lines of bands like defleshed and ravage. the guys thrash with gusto and conviction, producing a very fast
and sharp sound, which at times threatens to fall apart, but doesn't: "Into Christian's Mind". every song is a gem of aggressive
speedy thrash as the death metal elements play a secondary role here. even the longer tracks, like "Sober's Sacrifice" and
"hunting priest", which closes on 6-min, are fast and relentless (this is actually the most brutal piece with shades of death metal
and a short slayer-esque slower mid-section). this is explosive uncompromising classic thrash at its best, and although the
brazilian metal scene has been producing similarly styled acts in heaps for the past few years, these guys have no reasons to worry
that they will be soon forgotten, even if they don't release anything else for a long time after this one.
slaughterhouse full-length, 2006
official site ETERNAL DIRGE (GERMANY)
based on "morbus ascendit", this band come up with cool technical thrash/death metal reminiscent of pestilence's "testimony of the
ancients" and death's "human". the music is closer to thrash metal than those two albums, but the approach is virtually the same:
nice technical guitars, not very brutal sound except on a few occasions ("the decadence within"); the guys nicely change tempos
all the time and the music twists and turns making this album a really enjoyable experience. there's a sparse, but very effective
use of keyboards ala nocturnus creating a great haunting atmosphere.
anthem of anxiety demo, 1988 ETERNAL DRAK (COLOMBIA)
one person (gerson "demonslaught" toro) is behind this short atmospheric black/thrash/gothic metal opera which sits somewhere (the
ep) between early emperor and the irish cruachan, but never as fast as the former sticking to moody mid-paced patterns with both
lyrical and wild hyper-blasting deviations served in equal dozes. the vocalist is the prototypical black metal "raven" who croaks
incessantly playing a leading role in the proceedings in a way not too different from dany filth.
La Resureccion de la Orden Guerrera ep, 2002
official site ETERNAL EVIL (SWEDEN)
Intense bashing retro speed/thrash with overt vitriolic qualities; the guys mosh with gusto and verve the entire time, spitting furious cuts like "Bestial Fornication" and "The Captor's Command", The more serious, also more melodic layout of "Terror Of The Sphinx" hinting at bigger musical proficiency, the latter playing second fiddle here, the vehemence ensued easily reaching proto-death dimensions ("Rise of Death"), including in the husky semi-declamatory vocal department.
The Warriors Awakening Brings the Unholy Slaughter Full-length, 2021 Official Site ETERNAL HATE (RUSSIA)
this is modern thrash with rough angry death metal vocals. the guys have a good sense of dynamics which seldom gets lost the long
sprawling opus "doctrine is dead" being the exception with its more pensive doom rhythms; and the steam-rolling proto-groover
"summoning ages". "through eternity" jumps the death metal wagon with less controlled semi-blasting riffs, but the closing
"inflammable ice" pacifies the situation with quiet balladic motifs. some of the band members are also active with the progressive
metallers dreamspell.
from hallowed land full-length, 2017 Official
Site ETERNAL JUDGEMENT (CANADA)
Based on the full-length, this act serve pretty decent old school power/thrash that is rich on nice melodic tricks (the title-track) from all departments, the dramatic shreds on “Sadistic Vengeance” recalling gifted axemen like Jim Dofka and Chris Impellitteri. The lively speedster “S.A.S.” is a welcome boost, as is the atmospheric semi-ballad “The Evidence (Losing You)”. The rowdier thrashy “Left for Dead” could pass for the highlight here, the closing sinister march “After…” a close second, boosted by the very good clean emotional high-strung vocalist. Some of the band members are also occupied with the heavy metal cohort Urubu.
Fatal Virus EP, 2012 Official Site ETERNAL LEGACY (USA)
the band's debut is cool progressive power metal with elements of speed offering stuff not too far from early symphony x, maybe a
bit more melodramatic. "lifeless alive" is a more aggressive affair with overt thrashy overtones starting with the fine heavy semi-
technical brooder "lifeless alive" which ends in a brutal speedy manner. "souls of prey" is a prototypical galloping power metal
number, followed by the edgier and slightly faster "abadon", which boasts a nice balladic mid-break. "visionary sin" remains more
in the power metal field again, but "misery's end" hardens the course adding great lead guitar work to the proceedings. "lost but
not alone" is a hectic semi-technical take on speed metal, followed by the vigorous epic power/thrasher "fight the heavens". "wicked
glory" crosses american power metal with the 90's power/speed metal scene to a good effect, before the coming of "braindead" which
is a cool mid-paced instrumental, and the actual closer, with one bonus track added after it: the creepy doom "the dead matter".
although the band is often placed in the symphonic/neoclassical department, there is not much to relate it to the flashy show-offy
flamboyance of the practitioners from this sub-genre, the guys opting for a more stripped-down approach similar to mystic prophecy
and early eidolon. the singer gives a subdued, but powerful, performance suiting well the music with his mid-ranged emotional
delivery which goes one note up on the slower balladic sections. two members of the power/thrashers wretch also perform here: the
guitarist shaun vanek, and the bass player tim frederick.
i ep, 2004 Official Site ETERNAL MESSIAH (UKRAINE)
This is fairly decent old school speed/thrash that moves at the speed of light (“Antimech”, “Bezliki”) at times, but brace yourselves for a few more technical albeit equally virulent (CarstvoTnej”) developments, among which one should fully savour the short diverse shredder “Bezbojni Strom”. “ZonaVichujenia” is a most consummate hyper-active speed/thrasher, and “Golokost” is an excellent intricate complexer with a marginally more tamed rhythm-section. Watch out for the superb intricate closer “Daj Nam Volu”, the numerous dazzling melodic tunes floating around, and by all means for the harsh husky death metal vocalist.
The Hour Has Struck Full-length, 2024 Official Site ETERNAL MISERY (USA)
wild, chaotic thrash/death which is one wall of messy sounds with hardcore and grind also thrown in. a brutal affair with bad
hysterical rending vocals which are barely audible at times. "sexual execution" admirably breaks through the wall and is a more
intelligible thrash/deathster with echoes of early messiah and protector. this is a violent listening experience which will shatter
you with both its listenable and unlistenable qualities.
sex, brew, and chaos demo, 2010 ETERNAL NIGHTMARE (HOLLAND)
the sound quality of the "total tear up" demo is bad, but the music isn't: cool speed/thrash crossing whiplash's debut with early
destruction; the singer has an interesting deep semi-clean voice (interrupted by occasional high-pitched screams ala early warrel
dane) which, combined with the fast simplistic guitar work, work quite well.
mouth to hell demo, 1989 ETERNAL OBLIVION (USA)
based on the full-length, this act, who consists of just one man (armon nicholson), provides blacky thrash of the energetic type
which crosses the early german movement with sacrifice and exorcist. the fans will have their fun here the guy playing with vigour
and a unique old school feel both in the production and the execution department keeping the proceedings in the up-tempo the
deviations being served mostly from the lead side where some cool melodic tunes ("tyrant") can be heard at times. "cannibal" is a
heavy stomper splitting the album into two, but expect a rain of fiery riffs on the following "morals" as well as a nice balladic
exit on the mid-paced cutter "problems". the final "crusade" is a sure-handed headbanger with a great lead section, finishing this
cool album with aplomb making one more fine addition to the retro thrash legions of present times.
"seeds of evolution" contains three of the four songs from the ep and the rest is up to par being aggressive classic thrash metal
with more frequent technical decisions. after the interesting lead-driven instrumental intro "deconstruction", the guys hit
mercilessly with "cults to eternal hatred" which is an intense technical proto-death piece ala pestilence's "testimony of the
ancients". then comes "revolt" from the ep which is more ordinary speedy thrash establishing a pattern closely followed by a couple
of tracks before "thunderbolt" impresses with great, both melodic and technical, leads. then things return to the more common
formula hitting the top on the smashing closer "seed of evolution", another fine blitzkrieg thrasher with proto-death tendencies
boasting fine bass support which is pretty high on the whole album, by the way. the singer again doesn't impress much with his gruff
deathly timbre although it's obvious that the guy has rehearsed more this time coming with a more polished comprehensive delivery.
seeds of evolution full-length, 2009
"Ritual Insanity" contains the same music style-wise, the guys bashing with enthusiasm, moving up the aggression scale (track 2) on occasion, with more
brutal bashing, but overall this is moderate stuff that even exudes some progressive seriousness (track 4), the closing "Storm of Death" a really cool
galloping speed/thrasher recalling Attacker's "Second Coming".
Beyond the Crypt Demo, 1988
In Light in Dark in Hate Full-length, 2020
“Below the Lightless Heavens”: the saga continues on full-throttle here, the guys having been missing from the scene for a prolonged period of time, but the band acquit themselves with both romantic forlorn tunes (“Autumn Gale”) and epic doom hymns (“Empty Pages on a Dusty Shelf”), thrash materializing on the short crusty roller-coaster “Lived Once, Buried Twice”, death metal claiming the bombastic brutalizer “Month of the Crow”. The rest is more on the laid-back atmospheric side with not too many fast-paced stretches.
from the eastern forest full-length, 2000
Below The Lightless Heavens Full-Length, 2024
"World of Chaos" comes as a classic power, speed and thrash mixture and is consequently a better offering than the first instalment,
with a wider array of nuances embedded. Instant headbangers' hits ("My Redemption") cross swords with epic hymns ("Never Surrender")
and more radio-friendly cuts ("Fire") the entire time, the concentration clearly on the faster-paced side of the spectre with
rousing shredders like "Need for Speed" co-existing restlessly next to the poignant semi-ballad "Follow Your Dream" and the quasi-
groovy crowd-pleaser "Hard Life" and the more progressively-executed "Revenge".
World of Chaos Full-length, 2019
ghost in the machine full-length, 1999
e.d. iii full-length, 2002
"khaos magick" increases the presence of keyboards which stifles the guitars a bit, and the technical riffs have been reduced for
the sake of a somewhat epic sound not miles away from bal-sagoth. the music has shifted more towards death metal, and although
this album is also long on atmosphere and interesting moments, it might not appeal as much to the thrash metal fan as the better
debut.
the demo is rough, unpolished thrash/proto-death owing a lot to possessed's "seven churches", wrapped in the same dark oppressing
atmosphere, the guys not having become the proficient musicians yet. "beyond the worlds" is a violent basher also recalling
sacrifice's "torment in fire", and "morbus ascendit" is another attempt at purer death metal ways of execution, brutal
uncompromising bash also giving the title to the band's debut.
the 1989/1990 demos are good stylish slabs of metal, the progressive tendencies almost fully developed on them alongside the speedy
infatuations which acquire nearly operatic proportions on "arachnophobia", an intense melo-proto-death/thrasher that would make even
nocturnus proud. "paralyzed" is a short melodic speedster ala rigor mortis, and "contaminated void" is another lashing proto-
deathster leaving the more melodic embellishments for "the conclusion of iniquity". "morbus ascendit" (no such song on the debut) is
a fully accomplished deathster ala early pestilence, but more laid-back moments keep being served to keep the balance like the
gothic stomper "why have all the children died" and the imposing orchestral interlude on "ad nauseum".
right to the core demo, 1989
pressurize dehumanize demo, 1990
morbus ascendit full-length, 1992
khaos magick full-length, 1996
my sweet satan ep, 1996
the full-length embraces the thrash metal idea a bit more fully with rigorous moshers like "fuego y destruccion" and the near proto-
death experience "guerra bestial (holocausto)", but elaborately-woven pieces like the 8.5-min saga "jinetes de la umbra" suggest at
more complex things to come which comprise the diverse thrash/death roller-coaster "reficul sturm", and the doom-laden atmospherics
on "Eterna Oscuridad" the latter officiousness cancelled by the string of short bursting headbangers at the end.
"Dark Metal" delivers exactly what the title says; this isn't thrash by any means, save for a few rowdier occasions (the brutal ripping "Your Debt", the stomping confrontational "Parasite"); the rest is more along the lines of mid-period Samael and Alastis, the short crossover joy
"Siervo del Bien y del Mal" the other deviation from the dark atmospheric patterns.
"Shadow Storm" is a more dynamic proposition, the operatic dynamics of the opener "Oblivion Is Dishonor" a nice inauguration, before the galloping urgency of "Hide Your Madness" brings back the thrash in all its raging glory. Later on there's deep atmospherics ("La Nueva Orden") served, alongside dark doom trots ("Maldita Oscuridad") and playful power/thrash hybriders ("La Vierge De Fer"). The diversity offered is admirable, the thrash/crossover jump-arounder "The Eyeless Gleeth" another pleasant occurrence, the epic folk-ish title-track stifling a bit the hard riffing utilized elsewhere.
"Imprisoned Souls" is a dark slow-burner which has an edge largely reflected in patiently-woven mid-pacers ("Circle of Black Flames", the marginally more dynamic "Haunting Place"), the grindy outbursts of "Oda a La Luna" bordering on Impaled Nazarene-sque vulgarity, the second half siding with this ingredient thanks to the rude blacky awakener "The Woman in Sandals" and the brutal black/grind hybridization "Bound by Ambition".
Eternal Drak full-length, 2018
Dark Metal Full-Length, 2021
Shadow Storm Full-Length, 2022
Interdimensional War of Satan EP, 2023
Imprisoned Souls Full-length, 2024V
“The Gates beyond Mortality” is another notable hyper-active fare, the band moshing with little abandon, peppered with both short explosions (“Guerilla Warfare”) and lengthy thought-out exercises (the title-track) in progressive sprawls, the devious technical delight “Signs of Ancient Sin” making claims at bigger musical dexterity, this last ambitious strife also very nicely captured by the spacey masterpiece “The Astral Below” and the multifarious epic speed/thrasher “The Cursed Trilogy”, the guys really pulling it off on these more serious far-reaching compositions.
The Gates Beyond Mortality Full-length, 2023
Judgment Day Full-length, 2020
the coming of the tempest full-length, 2007
lifeless alive full-length, 2009
the debut demo is pretty much in the same vein, maybe a tad more brutal (the raging "blindness") and more bass-prone (check out the
beautiful bassisms on "realm of the unknown"). the vocals are more brutal and lower-pitched the infamous shrieks very seldom
unleashed.
total tear up demo, 1990